Dans la cour de Pierre Salvadori (France / 2014 / 98 min / Comédie / VOSTA) Avec Catherine Deneuve, Gustave Kervern, Feodor Atkine, Michèle Moretti. Synopsis: Antoine, musicien de 40 ans, quitte tout et devient concierge dans l'immeuble où vit Mathilde, jeune retraitée. Un soir, elle découvre une fissure sur le mur du salon et craint que l’immeuble ne s’effondre Antoine se prend d’amitié pour elle mais redoute qu'elle ne devienne folle. Tous deux forment un tandem maladroit qui les aidera, peut-être, à traverser cette mauvaise passe. Das könnte Sie auch interessieren.
Von hohenschönhausen nach niederschöneweide. Hier sind noch viele Leerstellen zu besetzen, Projekte zu realisieren.
![Marin Karmitz: Bande À Part Marin Karmitz: Bande À Part](http://mk2films.com/wp-content/uploads/sites/4/2016/07/bio-marin.jpg)
A graduate from the influential IDHEC film school, Marin Karmitz was initially assistant director to the filmmakers Jean-Luc Godard, Agnès Varda, Jacques Rozier, Yannick Bellon and Pierre Kast. In 1964, he directed his first short film, Nuit noire Calcutta, based on a screenplay by Marguerite Duras. In 1965, he worked with Samuel Beckett on the adaptation of Comédie. In the same year, the film was selected to open Venice International Film Festival and shocked audiences with its avant-garde material. Forty years later, the film would be recognized at the Venice Biennale and shown in museums around the world. Marin Karmitz’s first feature-length film was Seven Days Somewhere Else with Jacques Higelin in 1967, which was also selected at Venice International Film Festival.
![Europäischer Europäischer](http://almanaquevirtual.uol.com.br/wp-content/uploads/2014/10/Marin-Karmitz-Bande-A-Part.jpg)
![Marin Karmitz: Bande À Part Marin Karmitz: Bande À Part](http://i2.imageban.ru/out/2015/05/24/d3a4c568894f6b91ec9300a1fb92017e.png)
![Europäischer Europäischer](https://d-tm.ppstatic.pl/25/48/b0157c03aad81cee4bf8ee89d0a2.1000.jpg)
Bukarest, Rumänien
After May ’68, he directed two films: Comrades (1970) and Blow for Blow (1972), which would be screened at all the international festivals. After founding mk2 Productions in 1967, Marin Karmitz launched a distribution company in 1974: mk2 diffusion. Mk2 Bastille, 2016, copyright mk2 Being unable to find distributors and operators to promote his politically charged films, Marin Karmitz opened ’14-juillet Bastille’ (future mk2 Bastille) in 1974. It had three screens in an area unfamiliar with art-house world cinema, with theatres showing only karate and pornographic films at that time. Mk2 diffusion enabled him to build A library of international films that the established networks rejected, which would be shown at ’14-juillet Bastille’. A forum for stimulation and protest where numerous debates were held, ’14-juillet Bastille’ laid the foundations for the model that mk2 has been developing for over forty years: screening films in their original version. It also redesigned the interior of traditional theatres with a piece by Gérard Fromanger in the foyer, a bookstore and exhibition space.